Hi! My name is Sally Lynn MacDonald and this is my sixth post as part of the 2012 Design Team. I hope you enjoy the project.
Today’s project started with a victorian doll, pictured in a vintage photograph. The entire concept grew from there.

Every now and then I come across doll parts when I’m going through a thrift store. Because once I find a treasure, I tend to want to use it in many ways in my art, I made a mold of a doll’s face and created it using clay.

I took the clay out of my custom mold.

Then I gave her a bit of hair, using a doll wig from a discarded toy. I secured this with Perfect Paper Adhesive and set it aside to dry.

Once the clay has cured more we will come back to decorate the doll’s face.

As I said before, this entire project was built around a vintage photograph. I wanted to use the photograph as a layer in my project – so I layered it under a large mica sheet and attached the top and bottom edge with a bit of PPA Matte. I secured this with binder clips while it dried.

I then set about decorating the inside of the shadow box. This stamp has a nice scale for a backdrop.

So I used a fabric ink and stamped it repeatedly onto a piece of studio cloth.

Studio Cloth is nice and smooth, compared to canvas – so it is ideally suited for stamping. It’s also wonderful as compared to canvas and paper in that it doesn’t fray.

I heat-set the studio cloth using an iron with the steam setting turned OFF. Follow the manufacturer’s directions for whatever ink you use, and make sure that it is suitable for fabric. I used Versacraft (formerly called Fabrico) in Black.
I mixed up some Perfect Pigments Fluid Acrylic paint to work on the background. I mixed 3 parts Wheat to 1 part Magenta to create a light pink. I like Wheat vs. White for a more vintage look to the colors. Then I went around the edges with a little of Burnt Umber, mixed with water to create a wash.

Unlike paper, Studio Cloth won’t buckle or pill up. It also doesn’t get as easily over-saturated with water as a regular canvas. It’s ideal for doing multiple layers of color washes as seen here.
While that is drying, I used PPA to outline the edges of the glass frame on my shadowbox.

And then I applied two colors of PRILLS to the wet glue. I used one color at a time, so I could place the remainder back into the container.

These two colors remind me of pearls. I thought it was a girly way to embellish the outside of the shadow box.
I adhered the decorated Studio Cloth to the inside of the shadow box.
And now I need to decorate the doll. I used a coat of Wheat fluid acrylic paint to start up her skin tone.

You can use a heat tool - but be VERY CAREFUL to not burn the hair. It is plastic and will curl right up and become a frizzled mess. It’s either best to wait for paint to dry, or keep your heat tool oscillating and at a safe distance, about 10 inches to a foot from the face.
Next I took a ratio of 3:1 Wheat and Magenta paint to add some color to her cheeks and lips. I used a graphite pencil to outline her eyes and a combination of Ultramarine Blue, Carbon Black and Pearl White for her eyes.

I adhered the doll’s head to the Studio Cloth with PPA, and layered the Mica Sheet and photograph onto the lip of the shadow box.

What will you alter today? No surface is beyond your reach with these wonderful products.
US Art Quest Products used today:
- Prills, Ice Queen and Minnie Pearls mixtures
- 3/4″ Stroke Brush
Thanks for looking!
Sally Lynn MacDonald
www.sallylynnmacdonald.com
www.facebook.com/sallylynn.macdonald
