Hi! My name is Sally Lynn MacDonald and this is my first post as part of the new 2012 Design Team. I hope you enjoy the project.
Today I decided I wanted a little bit of sunshine in the middle of winter. I cut a piece of studio cloth to a size a few inches larger than my stretcher bars and proceeded to collage upon it. I adhered vintage ledger paper, some washi tape and bits of leftover painted pages with Perfect Paper Adhesive (Matte) aka PPA. I applied this under the pieces and then placed a coat on top of them as well to seal and protect the papers from later techniques that might damage their surface.
I placed each color of Perfect Pigments paints into my palette and mixed them with equal amounts of PPA to create a glaze.
I painted these over the top of the different papers, blending and wiping off the excess with a baby wipe.
I am going to use this wonderful large daisy stamp as a focal point, so I lightly sketched some surrounding petals with a medium charcoal pencil and began to paint them in with the Perfect Pigments.
Once I had the petals painted as needed, I then stamped the large daisy image onto a piece of Stampbord. I used a permanent black ink, that won’t run when I apply the glazed paint on top of it. I adhered the Stampbord to the canvas with a solvent glue.
Now I painted over the stamped image with my glazed Perfect Pigments to make it coordinate with the background petals.
While I waited for the focal point painting to dry, I stippled the white pearl paint through a piece of punchinella, which mimics the stamps shape in the center of the flower. I did this in a few places around the canvas, and also onto and off the edge of the focal point, once the paint was dry. This begins to connect the two surfaces visually.
Now I took a soft charcoal pencil and outlined the painted petals on the Studio Cloth background to coordinate with the outlines of the stamped image.
And now I added some highlight marks onto the background with a white charcoal pencil.
The last step is to scratch the surface of the Stampbord with a sharp tool: an awl, the point of a pair of scissors – or specialty tools for scratch art, if you have them. I scratched marks around the black indentation marks around the petal bases and randomly around the petals to coordinate with the background. Then I took the scissor blade and scraped away a border around the entire piece. The stamp has this border, but the Stampbord was slightly smaller than the stamp. This mimics the frame going all the way around and once again calls out your focal point.
And here is the finished piece, wrapped around the stretcher bars and ready to be hung in my studio.
US Art Quest Products used today:
- Perfect Paper Adhesive (PPA) in Matte finish
- Perfect Pigments – Yellow Ochre, Bright Yellow, Burnt Umber, Napthol Red, Magenta, Deep Sky Blue, Permanent Green Medium, Dark Green and White Satin Pearl
- Studio Cloth
- Sandi Miller Large Daisy Stamp UMF019
Thanks for looking!
Sally Lynn MacDonald
www.sallylynnmacdonald.com























Aren’t these gorgeous!






























